Life Itself (dir. Steve James; 2014)

Life Itself #3

To write about Roger Ebert is to follow in the footprints — or rather the footfalls, as his legacy is even now still reverberating in the ears of every matinee-prowling punter, fanboy, cinematic autodidact or professional film journalist — of a more inimitable commentator, a fiercer advocate, and keener viewer of film-as-an-artwork of affect and expression than you might ever hope to countenance or encompass.

It’s been said innumerable times over so that it’s now beginning to assume the well-honed burnish of immediate cliché, but Ebert was the Voice of Movies. He lived to engage with them, he lived to evaluate and demystify them, he lived to cheerfully disdain those he hated, he lived to champion and venerate those he loved, but most significantly, Ebert lived to substantiate the claims and validity of film discourse and film reception and film criticism — never to trivialise or condescend to it.

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